Thursday, June 19, 2014

Unicorn - Blue Pine Trees (Harvest-EMI, 1974, UK)

Unicorn was an English folk/country rock band formed in 1963 by a bunch of scholars in their teens as an amateur project. Later, they dropped out school and started to take their hobby into a more professional basis, practicing almost every day and playing regular gigs. They were heavily influenced by the ”Laurel Canyon Sound”, specially by the countrified outfit of The Byrds and the superb vocal harmonies of CSN & Y.

It took almost eight years until they released their first record. Second one, featured on this new entry, was released eleven years later. And it’s certainly a landmark, a very appealing and gentle LP:  West Coast rock made in UK. What is found inside is not psychedelia or even progressive –as the precious art cover could suggest- but a delicious collection of melodic soft rock tunes produced by no other than David Gilmour. It resembles a lost Byrd’s circa “Ballad of Easy Rider” session, featuring Clarence White!

Instrumentation includes delicious jangly 12 string Rickenbacker; superb male vocal harmonies –I’m already satisfied-; cool chicken pickin’ licks; acoustic guitars and mandolin; delightful piano accompaniments; ultimate ‘70s drumming; groovy bass lines; even a xylophone in “Rat Race” and astonishing pedal steel guitar effects trademark of maestro Gilmour.  

Almost every track is worth checking. There’s a lot going on musically speaking and contains a beautiful assortment of diversity. You can find joyful jingle jangle in “Electric Night” and “Sleep Song”; laid-back mystery intoxications in “Winter Wine”; countrified ballad sensibility in “Just Wanna Hold You” and “The Farmer”; country-funk blasts in “In the Gym”; dusty rockin’ excursions in “Holand”; delicate soulful acoustic folk in “Ooh! Mother”.  And I leave the best for the last: the self-titled cut. Exquisite.

Just play it while gambling with a Tarantula Juice in hand. A grower, definetly. 

Tracks
A1. Electric Night (Baker)
A2. Sleep Song (Baker)
A3. Autumn Wine (Smith, St. John, Waters)
A4. Rat Race (Smith, St. John, Waters)
A5. Just Wanna Hold You
B1. Holland (Baker)
B2. Nightingale Crescent (Baker)
B3. The Farmer (Baker)
B4. In the Gym (Baker)
B5. Blue Pine Trees (Baker)
B6. Ooh! Mother (Baker)

Personnel
Kevin Smith: Lead Guitar, Mandolin
Pete Perrier: Drums, Lead Vocals
Pat Martin: Bass, Vocals
Kenny Baker: Guitar, Keyboards, Vocals
David Gilmour: Pedal Steel Guitar


Tuesday, June 17, 2014

Lafayette Afro-Rock Band -- Soul Makossa (Musidisc, 1973, USA-France)

Laffayette Afro-Rock Band was a French funk/Afrobeat group (Paris, 1972) formed by American expatriates who decided to try fortune in the Roquefort country after realizing the funk scene in USA was too saturated. In there they became impregnated by African rhythms and schemes and where savior to fuse them with their funky ensemble. They were called Bobby Boyd Congress and Ice before their definitive name.

The band didn’t hit the spot of international success as did Funkadelic or Fela Kuti -they were even considered an obscure group- but now, their reputation has increased significantly and are celebrated as a premier example of funk outfit in the ’70, becoming sampled by an endless list of hip hop artists.

This new entry covers their second and last LP, for most people their best –me included-, so be prepared for a wicked exhibition of outstanding tight grooves. This album is gorgeous and extremely exciting! A full-time instrumental one (ok, if you exclude the yellings of “Soul Makossa”), plenty of large soloing passages (hot and fierce horn section, demented fuzzy funky guitar, cool jazz-funk keyboards) boosted by a luxury rhythm section: tight heavy bass and a hats off drumming and percussion section, it’s so close and consistent!

Three tracks each face make a total of six cuts, all of them essential. Side one starts with a funky and heavy-African-percussion revision of Manu Dibango seminal classic “Soul Makossa”, passing though the laid-back beautifulness of “Azeta” and finishes with the wild “Oglenon”. Side two is my favorite, taking off with the gorgeous “Voodounon”, hitting the hot spot of grooviness pinnacle “Hihache” and closing with the hard bopper “Nicky”.

Hot stuff guaranteed. An incendiary funky paradise!

Tracks
A1. Soul Makossa (Manu Dibango)
A2. Azeta (Frank Abel)
A3. Oglenon (Michael Mc Ewan)
B1. Voodounon (Arthur Young)
B2. Hihache (Leroy Gomes)
B3. Nicky (Lafayette Hudson)


Personnel
Larry Jones: Guitar
Laffayette Hudson: Bass
Frank Abel: Keyboards
Ronnie James Buttacavoli: Horns
Arthur Young: Horns, percussion
Ernest “Donny” Donable: Drums
Keno Speller: Percussion