Leo Kottke is an American folk/fingerpicker
guitarist virtuoso (Athens, GA, 1945), championed as one of the major figures
in the American Primitivism movement and is often credited along with legends
like John Fahey or Robbie Basho.
Most of his fame is due to his first
record, which will be the topic of this new entry. And the fact is that he
conceived a top notch album, a timeless piece of art. He was not an innovator
–we already had the guitar excursions of the extraordinaire Fahey, or the
fantasias of Sandy Bull- but he was so bold in fussing his immaculate
virtuosity and speed with tons of passion, resulting on a stunning beautiful
record, a record that swings between the thick line of experimentation and
meditation. Raising the acoustic guitar into new aces as a solo concerto
instrument.
Kottke was a savior vagabond; he
hitchhiked all over North-America in his adolescence, with his eyes wide open
(he partially lost his audition while manipulating a firecracker) absorbing as
much folk musical influences as he could. And that’s what this album is about:
his idealization of rural America. You can be illegally riding in a freight
train; be hit by a dust bowl; hitch-hick with a beat companion; breath the
freshness of the Appalachian forests or even jam with Mississippi John Hurt.
The pieces chosen are short, not
exceeding the 3 minutes, and are very eclectic. Styles range between acoustic
blues structures, traditional folk, rags, classical or even guitar excursions à
la Fahey with weird tunings, a delightful use of the slide and a delicious tone
of the crystalline jangly 12 string guitar.
Almost every track is a scorcher,
and don’t be fooled if doesn’t appeal at first listen, play it on a regular
basis and you will become heavily addicted. By the way, the chain between “The
Sailor’s Grave on the Praire”, “Vaseline Machine Gun” and “Jack Fig” is
stellar.
So, hope you enjoy this terrific
piece of art as I do. I treasure this one along with Dale Miller Kicking Mule
releases and several Fahey and Basho projects as pristine examples of top-notch
fingerpicking/American primitivism relics.
Tracks
A1. The Driving of the Year Nail (Kottke)
A2. The Last of the Arkansas Greyhounds
(Kottke)
A3. Ojo (Kottke)
A4. Crow River Waltz (Kottke)
A5. The Sailor’s Grave on the Praire (Kottke)
A6. Vaseline Machine Gun (Kottke)
A7. Jack Fig (Kottke)
B1. Watermelon (Kottke)
B2. Jesu, Joy of Man’s Desiring (composed by J.
S. Bach;arranged by Kottke)
B3. The Fisherman (Kottke)
B4. The Tennesse Toad (Kottke)
B5. Busted Bicycle (Kottke)
B6. The Brain of the Purple Mountain (Kottke)
B7. Coolidge Rising (Kottke)
Personnel
Leo Kotke: Accoustic 6
& 12 string guitar
