Buddy Cole was a jazz pianist and
orchestra leader, best known for his work as back musician with celebrities like
Bing Crosby, Johnnie Ray or Rosemary Clooney. He was also a passionate organ
player; recording some amazing Lp’s featuring the legendary 17-rank Wurlitzer
organ. One of these sessions is the topic of today’s post.
What we find in ‘Pipes, Pedals and
Fidelity’ is a moody interpretation of standards where the theatre organ is the
main and only protagonist. Just for the pleasure of hearing the aforementioned
instrument heavenly touched by the maestro. And what amazes me the most is the
vast range of voices, textures, layers and effects that can produce; simulating
a complete orchestra and creating an extremely reminiscent atmosphere of the good
old days of romantic cinema.
Side A is pretty good though having
a cut that, in my humble opinion, ruins the whole mood (‘The Peanut Vendor’)
but side B is impeccable. Every track in there is a winner. And by the way, ‘Caravan’ is dog nuts!
So, that’s a good opportunity to
discover a record devoted to the memorable full-throated sound of the theatre
organ, so rare to hear nowadays.
Tracks
A1. Serenade in Blue (Gordon Warren)
A2. The Peanut Vendor (Sunshine–Gilbert–Simons)
A3. One Morning in May (Parish-Carmichael)
A4. Mine (I. Gershwin-G. Gershwin)
A5. Everytime I See You I’m In Love Again (B. Cole)
A6. Carioca (G. Kahn-Eliscu-Youmans)
B1. Caravan (I. Mills-Tizol-D. Ellington)
B2. Willow Weep For Me (Ronell)
B3. Jeannine (I Dream of Lilac Time) (Gilbert)
B4. I Get the Blue When It Rains (Klauber-Stoddard)
B5. You Go To My Head (H. Gillespie-Coots)
Personnel
Buddy Cole – Theatre Organ
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