Ibio is a Spanish progressive
folk/rock band formed in the late seventies in the Cantabrian region. Active
during the post-dictatorship period, the group has gained cult status among
progressive connoisseurs because of the introduction of regional influences in
the Cantabrian tradition. This led to a reformation and the recording of a new
album in 2006, after 28 years of non-studio releases.
“Cuevas de Altamira” is a heavy
keyboard-driven record, featuring a mellotron - instrument which was scarce in
records produced in that period in the peninsula - with a great electric guitar
work. This result on the creation of very well executed symphonic prog vibes
mixed with some folk rhythms. There are three tracks featuring passionate
Spanish vocals, thing that, in my opinion, enriches a lot the album, providing
some degree of drama. Most of the tracks time around six-seven minutes. “A lo
Alto y a lo Bajo” is certainly the most traditional and festive song while the
closing “La Baila de Ibio” is the most experimental and, on the opposite,
“Romance del Conde Lara” is the most accessible but not least good cut.
Tracks
A1. Cuevas de Altamira (Mario Gómez
Calderón)
A2. Romance del Conde Lara (Mario Gómez Calderón)
A3. La Virulencia del Ferrocarril (Mario
Gómez Calderón)
A4. Las Chicas de Laredo (Mario Gómez Calderón)
B1. A lo Alto y a lo Bajo (Dioni Sobrado)
B2. Pastor (Mario Gómez Calderón)
B3. La Baila de Ibio (Mario Gómez Calderón)
*All tracks except the first one based on popular airs
Personnel
Ito Luna: Drums
Dioni Sobrado: Gibson guitar and acoustic guitar
Lily Alegría: Bass and vocals
Maro
Gómez: Electric piano, clavinet, synthesizer, String solina and mellotron
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