Showing posts with label SPAIN. Show all posts
Showing posts with label SPAIN. Show all posts

Monday, April 28, 2014

Noel Soto - Alfa y Omega (Polydor, Spain, 1975)

An outstanding effort by the Nador-born though Spanish resident singer/songwriter.

Noel Soto was pioneer in the introduction of the conceptual album in Spain and his second LP, topic of today’s entry, called “Alfa y Omega” is often credited as the first opera rock published in that country.

An unusual and risky project it was –especially for a neophyte in the genre- yet the results are incredible. Thought not selling properly in the release, the album has gained deserved cult status and is considered one of the pinnacles of the progressive pop edited in the Iberian Peninsula.

The musicianship behind this record is praiseworthy. There’s a good dose of majestic organ and mellotron, delightful flutes and great guitar work which match so well with Noel caressing voice. And stunning large instrumentals can be heard here and there, thing that enriches a lot the experience.

The song assortment is very well balanced. There’s absolutely nothing left in the eight tracks that compose the LP but it is so addictive and is so well made you will certainly stand wanting for more. There’s time for progressive instrumentals in the introductory “obertura alfa”, for rocking in “vamos a hacer el amor”, for smoth-jazz vibes in “nos falta comunicación”, some delightful moody pop in “ahora que somos dos” and “tu” or even prophetic progressive experimentations in “misere nobis omega”. References to “Lucy in the sky with diamonds” and to “I can’t get enough (Satisfaction)" can be heard in “flechas en el aire”, which is always a good thing.

I have decided to preserve the original conception of the record consisting in no time separations between cuts, so I fussed all the songs in two major files: side A and side B.   

Man, it’s a shame the author has taken literally the meaning of the album title, not releasing more marvelous material like that!

Tracks
A1. obertura alfa (J.L. de la Fuente; J.L. Izaguirre; L. Forner)
A2. ahora que somos dos (J.L. de la Fuente; J.L. Izaguirre; M.E. Soto)
A3. vamos a hacer el amor (M.E. Soto)
A4. tu (M.E. Soto)
B1. nos falta comunicación (M.E. Soto)
B2. flechas en el aire (M.E. Soto)
B3. sueños de cristal (J.L. de la Fuente; J.L. Izaguirre; M.E. Soto)
B4. miserere nobis omega (J.L. de la Fuente; J.L. Izaguirre; L. Forner; M.E. Soto)

Personnel
Produced by Angel Velázquez; Izaguirre Jr.


Tuesday, March 11, 2014

Ibio – Cuevas de Altamira (Movieplay – Serie Gong, Spain, 1978)



Ibio is a Spanish progressive folk/rock band formed in the late seventies in the Cantabrian region. Active during the post-dictatorship period, the group has gained cult status among progressive connoisseurs because of the introduction of regional influences in the Cantabrian tradition. This led to a reformation and the recording of a new album in 2006, after 28 years of non-studio releases. 

“Cuevas de Altamira” is a heavy keyboard-driven record, featuring a mellotron - instrument which was scarce in records produced in that period in the peninsula - with a great electric guitar work. This result on the creation of very well executed symphonic prog vibes mixed with some folk rhythms. There are three tracks featuring passionate Spanish vocals, thing that, in my opinion, enriches a lot the album, providing some degree of drama. Most of the tracks time around six-seven minutes. “A lo Alto y a lo Bajo” is certainly the most traditional and festive song while the closing “La Baila de Ibio” is the most experimental and, on the opposite, “Romance del Conde Lara” is the most accessible but not least good cut. 

Highly recommended for keyboard junkies! 

Tracks
A1. Cuevas de Altamira (Mario Gómez Calderón)
A2. Romance del Conde Lara (Mario Gómez Calderón)
A3. La Virulencia del Ferrocarril (Mario Gómez Calderón)
A4. Las Chicas de Laredo (Mario Gómez Calderón)
B1. A lo Alto y a lo Bajo (Dioni Sobrado)
B2. Pastor (Mario Gómez Calderón)
B3. La Baila de Ibio (Mario Gómez Calderón)
*All tracks except the first one based on popular airs  

Personnel
Ito Luna: Drums
Dioni Sobrado: Gibson guitar and acoustic guitar
Lily Alegría: Bass and vocals
Maro Gómez: Electric piano, clavinet, synthesizer, String solina and mellotron